The combined battery and card compartment is located in the grip and accessed by a door in the bottom of the camera. With the FZ80 / FZ82 the list has now expanded to 22 with several monochrome options, bleach bypass, Fantasy, and Sunshine in addition to old favourites including Expressive, Retro, Old Days, High Key, Low Key, Sepia, Dynamic Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Miniature Effect, Soft Focus, Star Filter, and One Point Colour. On earlier Panasonic Bridge super-zooms you had to remove the battery to charge it in the supplied AC charger. That said, neither of those two models features a touch-sensitive screen and if I had to choose between the two features I think I’d choose touch-sensitivity over articulation every time. New is 4k UHD video at 25 or 30fps along with Panasonic’s 4k Photo mode – a fun way of exploiting the fact 4k video captures an 8 Megapixel image up to 30 times a second. Other video features include snap movie, which records a short clip of between two and eight seconds in length. You can configure the app to provide shortcuts to two or three of your most used services which could include Dropbox and Instagram in addition to the more usual suspects. The Lumix FZ80 / FZ82’s flash is raised by pressing a button to the left of the viewfinder on the rear panel. These aren’t features you’ll find on the COOLPIX B700 either, and although the PowerShot SX60 HS does have an external microphone socket, these kinds of pro video features aren’t what you’d expect, or even what most people would want, from a bridge camera in this price bracket. To maintain a responsive experience which feels like the images are stored locally on your phone or tablet, the camera sends a lower resolution version. Canon’s PowerShot SX60 HS manages 6.4fps at full 16 Megapixel resolution and, although it offers a raft of low resolution high speed burst modes, the best full resolution 20 Megapixel continuous shooting mode on the Nikon COOLPIX B700 is 5fps. (adsbygoogle = window.adsbygoogle || []).push({}); Panasonic Lumix FZ80 / FZ82 design and controls. Custom Multi mode allows you to select a subset of the 49 areas arranged in a diamond configuration a single row or column, or a user defined pattern, then you simply tap the screen to position your AF grid. The FZ80 / FZ82 fired off a burst of 48 frames slightly faster than 10fps before slowing to around 3-4fps. There are three full resolution burst speeds available – High, Middle, and Low speed at 2fps, 6fps and 10fps respectively. There’s no external microphone nor headphone socket; but you do get focus peaking and zebra patterns to help with focus and exposure. Further options allow you to restrict transferred files to just photos or videos. With snap movies you can set up a focus pull in advance tapping the screen to define the start and end focus positions, which is pretty neat. Buy Panasonic Lumix DC-FZ80 Digital Camera featuring 18.1MP 1/2.3" MOS Sensor, Lumix DC Vario 60x Zoom Lens, 20-1200mm (35mm Equivalent), 1.166m-Dot Electronic Viewfinder, 3.0" 1.04m-Dot Touchscreen LCD Monitor, 4K UHD Video Recording at 30 fps, Built-In Wi-Fi Connectivity, ISO 6400, 10 fps Shooting, 4K Photo Mode, Post Focus and Focus Stacking, POWER O.I.S., DFD AF System. The new screen more than doubles the resolution to 1040k dots but more importantly it’s touch sensitive, allowing tap positioning of the AF area as well as other benefits. It works surprisingly well too. The quality is great and the stabilisation at the maximum 1200mm focal length is impressive. The earlier FZ70 / FZ72’s 460 dot LCD monitor was a hand-me-down from the older FZ60 / FZ62 which itself had inherited it from the FZ47 / FZ48. 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